Why I Write the Un-Cozy Genre

Any time someone asks “why do you write mysteries” I tell them because it’s the only way to kill someone who irritates me and not go to jail.
​
And I tend to stick to cozy mysteries because I don’t want to have to learn cop procedures. Just kidding. I still do a lot of research on cop jargon, weapons, and crimes, but I like to focus on what makes characters tick more than the policy and protocols. I leave that to the more procedural driven writers because those are the kind of details you cannot get wrong and still maintain your readers’ trust.

First, let’s establish that most people define a cozy mystery as a book set in a small town. In “Framed for Murder”, the setting of Pine Cove is heavily influenced by the actual town of Idyllwild, California. Neighbors know each other, they have a dog for a mayor, and there’s only two major streets. 

To me, there’s something comforting about characters living in a place where nothing truly bad happens (unless you count the dead person who usually is universally disliked anyway) and often there’s a spark of romance. It’s a nice break from real life.

One of the first books I read as a kid was a Nancy Drew mystery, so detectives out of uniform who can make up the rules as they go along have always been appealing. Rex Stout’s Nero Wolfe, Robert Parker’s Spenser, and of course the great Janet Evanovich’s Stephanie Plum all get to solve crimes but bend a few laws along the way.

Dick Francis’ mysteries were a huge influence as well. My first full-length novel from The Wild Rose Press, “Cause for Elimination,” has a cop as one of the main characters, but there’s also Emily Conners, professional horse trainer and part-time snoop. Besides, once you throw a little romance in there, it’s reasonable that some rules get broken. Plus, his partner is a snarky, lovable jerk who refuses to draw inside the lines anyway, so problem solved!

Which brings me to the “un-cozy” part of the story. One reviewer loved “Framed for Murder” but commented that they’d call it an un-cozy because my characters go beyond the sure steadiness of a Miss Marple, for instance. My characters’ lives are screwed up long before they find the body! In the Pine Cove books, the main character Mel O'Rourke faces a fear of heights, learns how to run an aging B&B, deals with her eccentric grandmother, and solves a murder. The stakes for Mel aren’t just life or death, although there’s that too; she struggles with her identity as she has to start her life over.

In truth, I’m one of those idiots that writes in multiple genres. The idea of self-discovery is a common theme throughout all of them, whether it's after losing a job, a cheating boyfriend, or the world as you knew it. It’s when characters are at their most vulnerable but also the most interesting. It’s one thing to know at the end of a cozy the killer will be caught, that’s kind of a given. But as a writer, I love the journey of writing a book where I have no idea what’s next for my characters beyond solving the core plot problem until I’ve outlined all the way to ‘The End’.